The path to Abstraction
Kandinsky didn't use photography
Kandinsky didn't use photography
I believe that, although photography is always somehow based onreality, every photograph is only partly objective, and is always aninterpretation of that reality.
By adding non photographic techniques to thephotographed object - like painting, manipulation or image "treatment"by computer – one can approach abstraction.
My intention is to free photography from its traditional“obligation": that is, the "closest interpretation" of visiblereality. I am interested in the dissolution of the object - but without totallylosing the perception of the original - and in promoting color and shape as ameans of expression in its own right. Just as if Kandinsky had used photography.
2011
By adding non photographic techniques to thephotographed object - like painting, manipulation or image "treatment"by computer – one can approach abstraction.
My intention is to free photography from its traditional“obligation": that is, the "closest interpretation" of visiblereality. I am interested in the dissolution of the object - but without totallylosing the perception of the original - and in promoting color and shape as ameans of expression in its own right. Just as if Kandinsky had used photography.
2011
Path to Abstraction #1
Path to Abstraction #2
Path to Abstraction #3
Path to Abstraction #4
Path to Abstraction #5
Path to Abstraction #6
Path to Abstraction #7
